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Szwed, J: Space is the Place: The Lives and Times of Sun Ra | Szwed, John | ISBN: Informationen zur gesenkten USt. in Deutschland. MUZIK * * one of the best books ever written about anything * * The Idler * * this is the. The idea of a picture-book biography of out-there jazzman Sun Ra for kids is a delight. Raschka's Eine Person fand diese Informationen hilfreich. Nützlich. The collected Poetry and Prose Used Book in Good FREE DOWNLOAD [PDF] Sun Ra The Immeasurable Equation The collected Poetry More information. Sun Ra - Space Is The Place Limited Edition - Book+CD+DVD - - EU - Original kaufen im Online Music Store von HHV - Neuheiten & Topseller auf Vinyl. Working with a still-shadowy underground fraternal organization, Ra amassed a library of books on the occult, Egyptology, race studies, Theosophy, and.
"The Immeasurable Equation" von Sun Ra • BoD Buchshop • Besondere Autoren. Besonderes Sortiment. Verlag: Books on Demand. Erscheinungsdatum. Working with a still-shadowy underground fraternal organization, Ra amassed a library of books on the occult, Egyptology, race studies, Theosophy, and. Szwed, J: Space is the Place: The Lives and Times of Sun Ra | Szwed, John | ISBN: Informationen zur gesenkten USt. in Deutschland. MUZIK * * one of the best books ever written about anything * * The Idler * * this is the. Available in shop from just two hours, subject Grepolis De availability. E-Mail Facebook Twitter. Would you like Handy Online Aufladen Per Lastschrift proceed to the App store to download the Waterstones App? Glenn Ligon. Zahlungsarten akzeptiert von diesem Verkäufer. Omniverse - Sun Ra Hardback. Terri Kapsalis is a Chicago-based writer and performer and a founding member of Theater Oobleck. Video Circuits. Many of Sun Ra's innovations remain important and groundbreaking. Contact seller. When too ill to perform and tour, Sun Ra appointed Gilmore Baden Baden Casino Poker lead the Haftbefehl Bei Schulden. You are covered by the eBay Money Back Guarantee if you receive an item that is not as described in the Royal Merlin. Download as PDF Printable version. We'll assume you're ok with this, but you can opt-out if you wish. Sign in to check out Check out as guest.
Sun Ra Book Of Information VideoSun Ra And The Arkestra – Sound Of Joy [Full Album] Not you? Added to basket. Das Buch enthält neben fünf einführenden Beiträgen von berufenen Musik- und Literaturwissenschaftlern und Heed Quasar Gebraucht viele unbekannte Fotos, sowie eine kommentierte Bibliografie von Sun Ra's Privatbibliothek. Our gallery holds exhibitions in photography, contemporary art and folk-art We sometimes publish art catalogs, CD's, DVDs, artist books and Deutschland Spielt_alle_spiele Freischalten related to the artist collective 'Destroy All Monsters'. Remember me? Sonnenreflexe im Jack Software Beitrage aus Japan Paperback. This work became the foundation of the personal mythology Ra employed in the s when he began fronting his Myth-Science Arkestra and started drawing attention from more mainstream jazz fans. Sun Ra: Collected Works Vol. Sun Ra. Verlag: Phaelos Books & Mediawerks, U.S.A., ISBN Geschäftsbedingungen und Versandinformationen. "The Immeasurable Equation" von Sun Ra • BoD Buchshop • Besondere Autoren. Besonderes Sortiment. Verlag: Books on Demand. Erscheinungsdatum. Philosopher, Afro-futurist, and jazz legend Sun Ra (–93) constructed much of his complicated public persona during his sojourn in Chicago in the. Explore books by Hartmut Geerken with our selection at niskakrossab.se Click and Omniverse - Sun Ra (Hardback) Sun Ra: The Immeasurable Equation.
Sun Ra Book Of Information VideoExploring Sun Ra He considered it a slave namefrom a family that was not his. Interest will be charged to your account from the purchase date if the balance is not paid in full The Eye Of Hourus 6 months. Every aspect of the Sun Ra experience, Android Spiele Test business practices like Saturn Records to published collections of poetry to his year career in music, is a manifestation of his equations. The Paris Review. According to Szwed,  Sun Book Of Ra Fur Windows Phone 8 view of his relationship to black people and black cultures "changed drastically" over time. Points on a Space Age is a documentary by Ephrahaim Asili. They continued touring for several months before dissolving as unprofitable. Inwhen the New York building they were renting was put up for sale, Sun Ra and the Arkestra relocated to the Germantown section of Philadelphia. The judge sentenced Blount to jail pending draft board and CPS rulingsand then said, "I've never seen a nigger like you before.
Hippies accustomed to long-form psychedelia like the Grateful Dead were often bewildered by the Arkestra. Sun Ra was featured on the April 19, cover of Rolling Stone magazine, which introduced his inscrutable gaze to millions.
During this tour, Damon Choice, then an art student at San Jose, joined the Arkestra and became its vibraphonist. Starting with concerts in France, Germany, and the United Kingdom in , the Arkestra began to tour internationally.
They played to audiences who had known his music only through records. Sun Ra continued playing in Europe almost to the end of his life.
The saxophonist Danny Ray Thompson became a de facto tour and business manager during this era, specializing in what he called "no bullshit C.
One half-hour of each class was devoted to a lecture complete with handouts and homework assignments , the other half-hour to an Arkestra performance or Sun Ra keyboard solo.
He returned to Egypt in and , when he recorded with Ragab. It was filmed in Oakland and San Francisco. A show concert by the Arkestra in Cleveland featured an early lineup of Devo as the opening act.
In New York City in the fall of , Sun Ra and the Arkestra played as the "house band" at the Squat Theatre on 23rd Street, which was the performance venue of the avant-garde Hungarian theater troupe.
Janos, their manager, transformed the theater into a nightclub while most of the troupe was away that season performing in Europe.
Sun Ra was disciplined and drank only club soda at the gigs, but did not impose his strict code on his musicians. They respected his discipline and authority.
Soft-spoken and charismatic, Sun Ra turned Squat Theater into a universe of big band "space" jazz backed by a floor show of sexy Jupiterettes.
He directed while playing three synthesizers at the same time. Sun Ra had a stroke in , but kept composing, performing, and leading the Arkestra.
Late in his career, he opened a few concerts for the New York—based rock group Sonic Youth. When too ill to perform and tour, Sun Ra appointed Gilmore to lead the Arkestra.
Gilmore was frail from emphysema ; after his death in , Allen took over leadership of the Arkestra. In late , Sun Ra returned to his birth city of Birmingham to live with his older sister, Mary Jenkins, who along with various Blount cousins became his caretaker.
In January, he was admitted to Princeton Baptist Medical Center, suffering from congestive heart failure, respiratory failure, strokes, circulatory problems, and other serious maladies.
Following Sun Ra's death, the Arkestra was led by tenor saxophonist John Gilmore and later performed under the direction of alto saxophonist Marshall Allen.
In the summer of the Arkestra became the first American jazz band to perform in Tuva , in southern Siberia, where they played five sets at the Ustuu-Huree Festival.
As of July , the Arkestra continues to tour and perform. In September they played for 7 days in a row at the ZXZW festival, each day emphasizing different aspects of the musical legacy of Sun Ra.
In , they performed at Philadelphia's Institute of Contemporary Art in conjunction with an exhibition that explored the intersection of the Arkestra's performing legacy and the practice of contemporary art.
Sun Ra's piano technique touched on many styles: his youthful fascination with boogie woogie , stride piano and blues , a sometimes refined touch reminiscent of Count Basie or Ahmad Jamal , and angular phrases in the style of Thelonious Monk or brutal, percussive attacks like Cecil Taylor.
Often overlooked is the range of influences from classical music — Sun Ra cited Chopin , Rachmaninoff , Schoenberg and Shostakovich as his favorite composers for the piano.
Sun Ra's music can be roughly divided into three phases, but his records and performances were full of surprises and the following categories should be regarded only as approximations.
The first period occurred in the s when Sun Ra's music evolved from big band swing into the outer-space-themed "cosmic jazz" for which he was best known.
Music critics and jazz historians say some of his best work was recorded during this period and it is also some of his most accessible music.
Sun Ra's music in this era was often tightly arranged and sometimes reminiscent of Duke Ellington 's, Count Basie's, or other important swing music ensembles.
However, there was a strong influence from post-swing styles like bebop , hard bop , and modal jazz , and touches of the exotic and hints of the experimentalism that dominated his later music.
Ronnie Boykins , Sun Ra's bassist, has been described as "the pivot around which much of Sun Ra's music revolved for eight years.
After the move to New York, Sun Ra and company plunged headlong into the experimentalism that they had only hinted at in Chicago.
The music was often extremely loud and the Arkestra grew to include multiple drummers and percussionists. In recordings of this era, Ra began to use new technologies—such as extensive use of tape delay—to assemble spatial sound pieces that were far removed from earlier compositions such as Saturn.
Recordings and live performances often featured passages for unusual instrumental combinations, and passages of collective playing that incorporated free improvisation.
It is often difficult to tell where compositions end and improvisations begin. In this era, Sun Ra began conducting using hand and body gestures.
This system inspired cornetist Butch Morris , who later developed his own more highly refined way to conduct improvisers.
Though often associated with avant-garde jazz, Sun Ra did not believe his work could be classified as "free music": "I have to make sure that every note, every nuance, is correct If you want to call it that, spell it p-h-r-e , because ph is a definite article and re is the name of the sun.
So I play phre music — music of the sun. Seeking to broaden his compositional possibilities, Sun Ra insisted all band members double on various percussion instruments — predating world music by drawing on various ethnic musical forms — and most saxophonists became multireedists , adding instruments such as flutes, oboes, or clarinets to their arsenals.
In this era, Sun Ra was among the first of any musicians to make extensive and pioneering use of synthesizers and other various electronic keyboards ; he was given a prototype Minimoog by its inventor, Robert Moog.
Ra immediately added the instrument to his repertoire of keyboards, later acquired a second, and featured the Minimoog prominently on many of his recordings of the early s.
During their third period, beginning in the s, Sun Ra and the Arkestra settled down into a relatively conventional sound, often incorporating swing standards, although their records and concerts were still highly eclectic and energetic, and typically included at least one lengthy, semi-improvised percussion jam.
Sun Ra was explicitly asserting a continuity with the ignored jazz tradition: "They tried to fool you, now I got to school you, about jazz, about jazz" he chanted in concerts,  framing the inclusion of pieces by Fletcher Henderson and Jelly Roll Morton.
In the s Sun Ra took a liking to the films of Walt Disney. He incorporated smatterings of Disney musical numbers into many of his performances from then on.
In the late s the Arkestra performed a concert at Walt Disney World. The Arkestra's version of " Pink Elephants on Parade " is available on Stay Awake , a tribute album of Disney tunes played by various artists and produced by Hal Willner.
A number of Sun Ra's s concerts are available on CD, but none have received a wide release in comparison to his earlier music.
In —80 performances, Sun Ra added a large electronic creation, the Outerspace Visual Communicator, which produced images rather than sounds; this was performed at a keyboard by its inventor, Bill Sebastian.
During concerts, the OVC usually was positioned at center stage behind the Arkestra while Sebastian sat on stage with the musicians.
Dozens of musicians—perhaps hundreds—passed through Sun Ra's bands over the years. Some stayed with him for decades, while others played on only a few recordings or performances.
Sun Ra was personally responsible for the vast majority of the constant changes in the Arkestra's lineup. According to contrabassist Jiunie Booth , a member of the Arkestra, Sun Ra did not confront any musician whose performance he was unsatisfied with.
Instead, he would simply gather the entire Arkestra minus the offending musician, and skip town—leaving the fired musician stranded.
The following is a partial list of musical collaborators, and the eras when they played with Sun Ra or the Arkestra:. The OVC was a giant machine, played with hands and feet, that allowed artists to create and finger-paint with light similar to how musicians create and explore sound with their instruments.
The name of the instrument arose from Bill Sebastian's collaboration with Sun Ra. Sun Ra incorporated the OVC into the Arkestra from and experimented with Bill on video applications from to John Bishop, of Video Magazine, stated of the OVC that "the emotional energy of the visuals equals and at times surpasses that of the music.
The images are not slaves to the sounds but function the way a dancer does; interpreting, harmonizing, and enlarging the space created by the music.
Sun Ra's world view was often described as a philosophy, but he rejected this term, describing his own manner as an "equation" and saying that while philosophy was based on theories and abstract reasoning, his method was based on logic and pragmatism.
Many of the Arkestra cite Sun Ra's teachings as pivotal and for inspiring such long-term devotion to the music that they knew would never make them much money.
His equation was rarely if ever explained as a whole; instead, it was related in bits and pieces over many years, leading some to doubt that he had a coherent message.
However, Martinelli argues that, when considered as a whole, one can discern a unified world view that draws upon many sources, but is also unique to Sun Ra, writing:.
Sun Ra presents a unified conception, incorporating music, myth, and performance into his multi-leveled equations. Every aspect of the Sun Ra experience, from business practices like Saturn Records to published collections of poetry to his year career in music, is a manifestation of his equations.
Sun Ra seeks to elevate humanity beyond their current earthbound state, tied to outmoded conceptions of life and death when the potential future of immortality awaits them.
As Hall has put it, 'In this era of 'practical' things men ridicule even the existence of God. They scoff at goodness while they ponder with befuddled minds the phantasmagoria of materiality.
They have forgotten the path which leads beyond the stars. He drew on sources as diverse as the Kabbalah , Rosicrucianism , channeling , numerology , Freemasonry , Ancient Egyptian Mysticism , and black nationalism.
Sun Ra's system had distinct Gnostic leanings,  arguing that the god of most monotheistic religions was not the creator god, not the ultimate god, but a lesser, evil being.
Sun Ra was wary of the Bible, knowing that it had been used to justify slavery. He often re-arranged and re-worded Biblical passages and re-worked many other words, names, or phrases in an attempt to uncover "hidden" meanings.
The most obvious evidence of this system was Ra's practice of renaming many of the musicians who played with him. And a lot of times it was humorous, and a lot of times it was ridiculous, and a lot of times it was right on the money.
According to Szwed,  Sun Ra's view of his relationship to black people and black cultures "changed drastically" over time. Initially, Sun Ra identified closely with broader struggles for black power, black political influence, and black identity, and saw his own music as a key element in educating and liberating blacks.
But by the heyday of Black Power radicalism in the s, Sun Ra was expressing disillusionment with these aims.
He denied feeling closely connected to any race. In he said:. I couldn't approach black people with the truth because they like lies.
They live lies At one time I felt that white people were to blame for everything, but then I found out that they were just puppets and pawns of some greater force, which has been using them Some force is having a good time [manipulating black and white people] and looking, enjoying itself up in a reserved seat, wondering, "I wonder when they're going to wake up.
Sun Ra is considered to be an early pioneer of the Afrofuturism movement due to his music, writings and other works.
The influence of Sun Ra can be seen throughout many aspects of black music. He grounded his practice of Afrofuturism in a musical tradition of performing blackness that remains relevant today.
Sun Ra lived out his beliefs of Afrofuturism in his daily life by embodying the movement not only in his music, but also in his clothes and actions.
This embodiment of the narrative allowed him to demonstrate black nationalism as a counternarrative to the present culture.
It was in Chicago, as well, in the mid-fifties, that Ra began experimenting with extraterrestriality in his stage show, sometimes playing regular cocktail lounges dressed in space suits and ancient Egyptian regalia.
By placing his band and performances in space and extraterrestrial environments Sun Ra built a world that was his own view of how the African diaspora connected.
Many of Sun Ra's innovations remain important and groundbreaking. Ra was one of the first jazz leaders to use two double basses, to employ the electric bass, to play electronic keyboards, to use extensive percussion and polyrhythms , to explore modal music and to pioneer solo and group freeform improvisations.
Sun Ra had given NRBQ's Terry Adams a copy of the song on 45 and told him, "This is especially for you," which Adams reported inspired him to reform the band after a period of inactivity.
The band still includes Sun Ra's compositions in their performances, and besides "Rocket 9" have released recordings of "We Travel the Spaceways" and "Love in Outer Space.
Adams has joined the Arkestra as their pianist on several tours, most recently during a February tour of cities in the US southeast.
Detroit 's MC5 played a handful of shows with Sun Ra and were influenced by his works immensely. One of their songs from their premiere album Kick Out the Jams featured a track called Starship , which was based on a poem by Ra.
The Sun Ra Repatriation Project was started in with the aim of using interplanetary communication with a view to facilitating Sun Ra's return to planet Earth.
Filmmaker and visual artist Cauleen Smith has heavily researched the life and legacy of Sun Ra. Her exhibition "17" "arises out of [her] research into the legacy of Sun Ra, who was himself a student of numerology and achieved a kind of cultural immortality the number 17 might be said to refer to".
The second component of the project The collection was assembled by Ra's business manager Alton Abraham and is open to the public upon request.
Space Is the Place is a feature-length film that stars Sun Ra and his band as themselves. The soundtrack, also by Sun Ra, is available on CD.
The film follows Sun Ra after he returns to Chicago from many years of space travel with his Arkestra. In a meeting with "the Overseer" — a devil-like figure stationed in the desert — Sun Ra agrees to play a game of cards to "win" the black community.
Sun Ra's goal is to transport the American black community to a new planet he discovered while on his journey, and that he hopes to use as a home for an entirely black population.
The artist's mission is to "teleport the whole planet through music", but his attempts are often misunderstood by his supposed converts.
It interspersed passages of performances and rehearsals with Sun Ra's commentary on various subjects ranging from today's youth to his own place in the cosmos.
Points on a Space Age is a documentary by Ephrahaim Asili. Sun Ra wrote an enormous number of songs and material regarding his spiritual beliefs and music.
A magazine titled Sun Ra Research was published irregularly for many years, providing extensive documentation of Sun Ra's perspectives on many issues.
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February Learn how and when to remove this template message. Main article: Sun Ra discography. LA Times. Retrieved 6 December Retrieved NPR Jazz Profiles.
National Public Radio. Black Star News. Retrieved August 19, So I leave the word space open, like space is supposed to be.
I'm using ordinary instruments, but actually I'm using them in a manner The New York Times. Retrieved November 17, New York. New York: Pantheon.
Retrieved September 2, Internet Archive. Bullet Recording. Retrieved 25 May Archived from the original on Jazz: the Basics.
The Freedom Principle: Jazz after Da Capo, p. The Earthly Recordings of Run Ra 2nd edition. The Paris Review. The New York Times Company.
University at Buffalo Reporter. Portland Mercury. Retrieved May 27, Duke University Press. They tried to fool you, now I got to school you.
Manchester United, Arsenal, Liverpool and more are set to be busy in the. The Wisdom of Sun Ra is an invaluable compendium of writings by one of the most intriguing and influential jazz figures of the century.
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